In Framing the Circle, the viewer's gaze is framed. Everyone becomes his own camera, turning around the dancers. A circle dance appears and the viewer becomes author of his own film: the border between performer and viewer is blurred. Framing the Circle is a performance that offers an analogue cinematic experience as possible.

As in his other installations and performances for the public space, Benjamin Vandewalle is interested, in this performance, to perception. He choreographs our eyes, he transforms the public space into scenography and all those who are there in performers.