Mohamed Toukabri is a Brussels-based Belgian-Tunisian choreographer, dancer, and performer whose work explores migration, identity, and embodied knowledge. Drawing from both hip-hop culture and contemporary choreography, he develops a movement language that reflects the layered histories carried within the body. Moving between Tunis, Brussels, and international stages, his artistic practice investigates how dance is transmitted, archived, and transformed across cultures and generations.

Born in Tunis, Toukabri began dancing at the age of twelve through breakdance before training with Sybel Ballet Theatre under Syhem Belkhodja, the International Academy of Dance in Paris, and the Mediterranean Centre for Contemporary Dance. In 2008 he moved to Brussels to study at P.A.R.T.S. During this period, he performed in Babel by Sidi Larbi Cherkaoui and Damien Jalet before joining Needcompany (2013–2018), where he appeared in numerous productions. He also performed works by Anne Teresa De Keersmaeker, Aïcha M'Barak & Hafiz Dhaou, and collaborated extensively with Sidi Larbi Cherkaoui, including Shell Shock, Nomad, and Alceste.

Alongside his stage work, Toukabri has appeared in film and interdisciplinary projects, including Cyrano (Joe Wright), the choreography of REBEL (Adil El Arbi & Bilall Fallah), collaborations with designer Jan-Jan Van Essche, and Louis Dreamhouse, Virgil Abloh's final show for Louis Vuitton during Paris Fashion Week in 2021.

His first self-devised work, The Upside Down Man (The Son of the Road), premiered in 2018 and toured internationally, receiving a #NewYoung selection at Het TheaterFestival. In 2021 he created The Power (of) The Fragile, an intimate duet with his mother exploring memory, migration, and family ties, which has since toured internationally. Recent collaborations include VIVE LE SUJET! Tentative (Festival d'Avignon, 2023), Holding Present by Ula Sickle, The Grand Macabre directed by Jan Lauwers at the Wiener Staatsoper, and Ihsane with Ballet du Grand Théâtre de Genève (2024).

His latest choreographic work, Every-Body-Knows-What-Tomorrow-Brings-And-We-All-Know-What-Happened-Yesterday, premiered at the Festival d'Avignon in 2025 and is currently touring internationally. Inspired by decolonial thought and influenced by thinkers such as Grada Kilomba and Édouard Glissant, as well as the politically engaged spirit of hip-hop culture, the work approaches choreography as a living archive through which personal and collective histories can be reimagined and transmitted.