Sarah Vanhee is an artist, performer and author. Her transdisciplinary work travels inbetween civil spaces and institutional art fields. She worked in open fields, prisons, private living rooms, theatres, on public canvases, in corporate meeting rooms, etc. Recent works include, amongst others, bodies of knowledge (school), undercurrents (intervention), collected screams (lecture-performance), Unforetold (stage performance), The Making of Justice (film), Oblivion (stage performance), Untitled (meetings in private houses), Lecture For Every One (series of intrusions), The C-Project (artist novel and work in public space).
While strongly embedded locally, Vanhee's work has been presented widely internationally in diverse contexts such as Wiener Festwochen (AT), Museo Reina Sofia (Madrid), Kunstenfestivaldesarts (Brussels), FTA (Montreal), Festival Actoral (Marseille), PuSh Festival (Vancouver), Jihlavava IDFF, Van Abbe Museum (Eindhoven), Centre Pompidou (Metz), Short Theatre (Rome), iDans (Istanbul), Printemps de Septembre (Toulouse), Forum Alpbach, Noorderzon (Groningen) etc. She co-published Untranslatables and wrote The Miraculous Life of Claire C The Miraculous Life of Claire C and TT, as well as other texts. She regularly collaborates with CAMPO (Ghent) and is founding member of Manyone vzw. Sarah Vanhee is supported by Buda Art Centre for the period 2017- 2021, as well as by the APAP network (Creative Europe Programme of the European Union). From September 2018 on, she is a doctoral student at the Antwerp School of Arts, in collaboration with the Antwerp Research Institute for the Arts. She was awarded a mandate for her research project “bodies of knowledge - the public space as a forum for the exchange of repressed or underexposed knowledge.”