For histoire(s) choreographer Olga de Soto asked herself what remains strong in the memory of an audience long after the performance they saw one evening has gone? She brings tribute to the ballet Le Jeune Homme et la Mort by Roland Petit, by looking for the memories of its first spectators. De Soto went off in search of members of the audience that were at the Théâtre des Champs-Elysées in Paris in 1946 for the premiere of this mythical ballet. As she interviewed them, their memories and emotions resurfaced, once more bringing the piece to life, illuminated by recollections that had until now been buried in darkness.  Projecting their recollections and emotions onto screens on a theatre stage, Olga de Soto composes a perfomance as an impression of memories.